Did you ever read a book or watch a film where you could just tell that something awful was going to happen? You dreaded the turn of every page in anticipation of the imminent horror. And yet you just had to keep reading, to find out what actually happens.
Continue reading
I do love a good time-travel story. A middle-aged man has a heart attack and dies – and then wakes up again as a young man back in his college days. Once he figures out what has happened, he sets about figuring out how to deal with it. He’s got an amazing opportunity to replay his life, fixing all the mistakes and maybe becoming rich too. (If it happened to me I would definitely be buying quite a lot of Bitcoin.)
Continue reading
This book is a diary written by the last person on earth. It’s not initially clear what happened to everyone else, but we find out that she has been alone for some years, travelling around in abandoned cars and living in various interesting abandoned buildings (such as museums). It becomes clear that she is becoming a bit unhinged; understandable in her circumstances. To me this book reads like a study in memory, regret and self-deception, though that makes it sound a bit grim; there is a fair bit of humour in this book. The overall tone is reminiscent of Markson’s This is Not a Novel. Wittgenstein’s Mistress is more conventional, but that wouldn’t be hard: it’s still a strange, amusing and unsettling read.
A hundred or so years ago, the English working classes had terribly rough lives.They spent half their time working under harsh conditions and the other half desperately looking for work. They never had enough food or clothing. But despite their ragged clothing they were content to spend their lives working for the betterment of their fellow men — in particular, their employers, who did no productive work themselves but instead spent their time cheating and exploiting their clients and employees.
Continue reading
This affecting story has a bit of mystery and a satisfying resolution, and some lovely writing along the way. I also quite appreciated the single-word chapter titles, which reinforce an atmosphere of uncertainty throughout.
Continue reading
This book starts out as a day in the life of a group of six schoolgirls. This is a world that is unfamiliar to me, so it seemed exotic and yet still quite believable. After establishing the characters and putting them through some ups and downs, we fast-forward several years: we get to see the girls as adults, see how they’ve changed but how they mostly haven’t, and see how they deal with the directions their lives have taken. It’s a nice ensemble piece. The women are more or less relatable but they are all interesting, and their stories are full of nicely-rendered moments. And there are some very satisfying resolutions too.
Many people consider this to be the greatest novel ever written, and who am I to argue — I loved it. The main characters are well-rounded and believable — I especially liked the man-about-town Oblonsky (he of the famous unhappy family which is unhappy in its own way) and the solid and thoughtful Levin (Tolstoy under another name).
Continue reading
This experimental “found novel” is great. Once I got into it, it was like a beautifully edited minimalistic fly-on-the-wall documentary in print.
Every day for a year, Catherine Chidgey recorded or wrote down a conversation, email, overheard snippet, advertisement or some other piece of text. That’s what this book is. Initially it’s pretty disorienting as there’s only speech — no introductions, descriptions or even “he said” or “she said”. It takes a while to figure out who the characters are and what their relationships are. Even by the end of the book I was still losing track of who was talking during long conversations.
Continue reading
This book is fun.
This book is short.
This whole book is a staccato list of sentences.
Like these.
It’s about a woman called Minna.
Minna needs rehearsal space.
Obviously.
But she is stymied by her boyfriend.
She is stymied by her sister.
She is stymied by her friends.
It’s harder than you think, getting a rehearsal space.
If you don’t already know a lot about the history of philosophy, you will by the time you’ve finished this book. If you do, then you’ll recognise a lot of it. Like Goldstein’s more recent 36 Arguments for the Existence of God, this book is full of philosophy, Jewish culture and academia. But there’s also quite a lot of sex. Or at least lots of musing about sex.
I find it pretty ingenious how Goldstein manages to incorporate so many concepts from philosophy explicitly into this story of a young woman academic’s love life. She explains the ideas succinctly either through the characters or direct to the reader, and makes them all relevant and apposite. This would actually be a great book to read as you embark on a course in philosophy.