This murder mystery starts with an account written by an acquaintance of the victim. It sets the scene nicely. The next chapter was written from a different point of view, just to mix things up. I was pleased as well as surprised when the rug was pulled from under me quite early on (this is a mystery story after all).
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This book is about the life and (mostly failed) loves of three women: Chia, her friend Zikora and her cousin Omelogor. They are all Nigerian, living variously in the USA and Nigeria, quite well-off, and each with their own interesting lives and stories. There is a fourth woman too, Kadiatou, an associate of Chia. She is also an African (albeit Guinean) living in the USA, but not at all well-off. Her role in the novel is quite different.
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Two contrasting stream-of-consciousness narratives in this novel, set 100 years ago. Mrs Dalloway is preparing to host a party – we go inside her thoughts and also those of various friends and associates, so we get a full picture of her and her milieu. At the same time, we enter the lonely and disordered mind of Septimus Smith, a shell-shocked war veteran, and his put-upon wife Rezia. The two stories glance off one another at times during the novel. Mrs Dalloway’s narrative is interesting, petty, expansive, while Smith’s is just sad, especially by way of contrast.
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This is not the story of the feijoa. It is the story of Kate Evans’s journey investigating the story of the feijoa. Along the way we do learn a lot of interesting stuff about feijoas, but we also learn a lot about Evans’s life, her love of feijoas, her experiences travelling the world in search of feijoa lore, the people she met along the way and their stories, and how she came to write this book.
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This is the third volume of In Search of Lost Time, in which our hero (I’ll call him Marcel even though that’s probably not his name) enters the world of high society, basically by stalking Mme de Guermantes until he falls in with her social set and gets invited to her salons. In the meantime, a lot happens (relatively speaking; this is not The Three Musketeers). He hangs out with his friend Robert de Saint-Loup, who inexplicably thinks very highly of him. At one point Saint-Loup and friends have a long discussion of military strategy – I thought of that late chapter of War & Peace where the novel suddenly turned into a field marshal’s manual.
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Susan Rogers’ first claim to fame is that she was the chief engineer on Prince’s critically acclaimed and immensely popular Purple Rain album. After a subsequent glittering career as a record producer she became a cognitive neuroscientist. This career path set her up nicely to write this interesting book about why we like the music we like.
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This is an amazing book. Amazing.
The first chapter (Chapter A) is an interesting story written in a quirky style:
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Lucrezia’s husband is planning to murder her – what can she do about it? This book is a compelling dive into the personal and political world of 15th-century Florentine royalty. It’s a fictionalised account of a real troubled marriage, with vividly-drawn characters and relationships. I enjoyed reading it even though I found the ending somewhat unsatisfying.
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As usual with Wodehouse, I was chuckling all the way through this book. This is the first Lord Ickenham story I have read. He is a great character, like a haphazardly mischievous version of Jeeves. The many characters get themselves into the stickiest of situations, but Ickenham orchestrates the chaos like a maestro, and all’s well that ends well.
This is a great variation on the time-loop story. Tara, our narrator, wakes up on November 19 only to discover that it’s actually November 18 again. For the rest of the book she repeats November 18 every day, gradually realising what has happened and coming to terms with it. She even eventually manages to explain to her husband what has happened. Unfortunately, of course, she has to explain it to him again the next day, and the next, and the next, since he doesn’t remember the previous November 18ths that she has lived through.
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