This book is about about raising boys, especially teenagers. It’s heartfelt and compelling, and it has a lot of good things to think about and remember if you have or are planning to have a teenaged son.
Celia Lashlie spent a lot of time at boys’ schools talking with the boys and their teachers, and describes what it’s like to be a student in a boys’ school. She describes the experience really thoroughly — as I read, I really felt I knew what their world was like. But there are many different ways for boys to experience their school life, and I thought she focused on one without really acknowledging others.
I love reading philosophy, and I love reading novels. So this philosophical novel is right in my sweet spot. I have read some of Goldstein’s non-fiction, but after reading this fun and thoughtful book I want to search out her other work.
This is like one of those great, wide-ranging conversations where you talk about everything, from what you did last weekend to the meaning of life, and everything in between. Each essay is on its own topic and they are apparently unrelated, but as I got into the second half of the book I found that they started to go together and give a coherent picture.
I have never read a novel like this before, but that’s obvious since it is actually not a novel. (The clue is in the name.) But it has characters (well, a character), lots of historical figures, and a (very faint) narrative arc. And it’s pretty fun to read.
New York City last century: the scarlet woman, the suspicious tragedy, the tough cop, the tenacious reporter. They’re all here, but they are put together in some unexpected ways. Right at the beginning, the “murder mystery” trope is upended by having the story start as a flashback, so we immediately know how it ends. Or do we? We meet a lot of characters on our way through the story, and despite the foreshadowing, the end of the book is quite satisfying.
This biography/autobiography/graphic novel is idiosyncratic, interesting and fun. It has sent me off to read and re-read both Katherine Mansfield and Sarah Laing, different writers from different centuries who still seem to have a lot in common.
Some people think being an existentialist means spending your time brooding in cafés. Most people have no idea at all what it means. This book will explain what existentialism is, where it came from, and how to do it. You could call it “Existentialism for Fun and Profit”, except neither fun nor profit are really part of the existentialist programme.
This is just fantastic. July’s short stories are so imaginative in the way she blends mundane realism with the bizarrely surreal. It feels like a modern, shabby, seedy version of magic realism. Many of the characters are strange, but still trying to get along with life in their own broken way. They seem insane, and probably are, but they still work according to their own internal logic. They are trapped in a mind-numbing suburban existence, or growing up in an extremely dysfunctional environment. The writing seems to make the real world disappear and I find myself totally absorbed in the weird, affecting lives of July’s characters.
Notes purportedly written by a condemned man during the day before his scheduled execution. Hugo wrote this as a protest against the death penalty at a time when the guillotine was in enthusiastic use by the French authorities. It works well by humanising the doomed prisoner, though I feel it cheats a little by never detailing the crime that put him on death row in the first place. Still a powerful read.
This is a wonderful story of a quirky boy and his family as they go through some funny, tragic, interesting times. The premise is that Billy turns into a bird, or believes he does. But there is a lot more happening around that, and it all makes sense in the end.
This short but thought-provoking book describes a way that New Zealand’s economy could be reorganised to focus on the wellbeing of all its citizens, defined as
A meditation on belonging, place, family and more. Kirsty Gunn did what Katherine Mansfield never did: she returned from the UK to live for a time in her home town of Wellington, New Zealand. She stayed in a cottage in Thorndon, the suburb where Mansfield grew up, on a scholarship to work on her “Katherine Mansfield project”. This book is the result.
In this book, Oliver Kamm attempts to explode a few myths about English usage, and set out sensible guidelines for literate writing. He gives interesting historical background notes and examples for many of his points, so the book is useful and well worth reading. But even though he chides “sticklers” for their insistence on idiosyncratic rules, his own rules and suggestions are themselves quirky and inconsistent. This makes the book a bit frustrating to read. It’s fun if you enjoy arguing with books though.
An old man kidnaps his housekeeper’s granddaughter and takes her for a walk in the hills. He needs to write her into a piece of music he is composing. This is the start of this novel, and as it continues we learn more about the history of his family, which has lived for many generations in a remote house in the Scottish highlands. The house and family have become famous in the world of classical bagpipe music, the “big music” of the title.
What would life be like if we communicated with music instead of words? That’s the situation in the dystopian future of The Chimes. People have lost most of their ability to remember in words, so they must rely on objects to prompt their memories, and an intricate musical language to communicate. Simon, a young man, fetches up in London with only a vague idea why he came and what he’s supposed to do there. Things start happening to him, and before long he starts making things happen himself. Eventually he becomes part of a revolutionary struggle.
This novel is Dorothy Forrest’s life story, and her complicated family life too. After reading it I felt that I knew her quite well…
This is an amazing prose poem spanning the author’s love affair with an older married man. The language is raw and rich and really takes you to another place, and usually not a happy one — when she isn’t miserable, she’s obsessively ecstatic. But wow, what a ride:
Most religions make metaphysical claims that are hard to believe, if they make any sense at all. But even if you don’t believe that the world rests on an elephant standing on turtles, or that omnipotent beings scrutinise our every move, religious traditions have a lot of ideas worth keeping. Religions place great importance on things like community and ritual, acknowledging our needs and our foibles too. This is what de Botton points out in this book.
Two very interesting characters inhabit this story: Roza, the Prime Minister’s wife, a creative maverick who still manages to fit in with his circle; and her precocious young son Johnny, who is clever and manipulative and a bit of a nightmare. Throughout the novel, Roza tells Johnny a story featuring a large cast of characters including a nasty dwarf called Soon, and surreal happenings, all based on the other people in the novel. It’s like a terrifyingly twisted Enid Blyton romp, and it’s fun drawing parallels between Roza’s story and the novel.
The title describes the book: 23 things, some counterintuitive, some perhaps contentious, they you may not have realised about the economic system that the world runs on.
This story is about a tomboyish girl called Stephen. It traces her life from her birth and upbringing in a wealthy and genteel English family in the late 1800s, through the first world war and on to a successful career. She never feels quite comfortable conforming to the model of a well-brought-up young woman, and it takes many years to realise what the reader already knows, that she is (in her own words) an “invert”. Of course, such things were not discussed back then, at a time when the authorities did not even acknowledge lesbianism’s existence, and would have made it illegal if they had. The book was banned (and burned) on publication in 1928 in England.
The Undercover Economist is full of useful explanations of many orthodox economic concepts. It explains why free markets are so powerful and what economic efficiency means. It also contains the most accessible explanation of the subprime mortgage crisis as I have ever read. But when all you have is a hammer, everything looks like a nail. For Mr Harford, like many others, markets are that hammer. He does a decent job of trying to address possible difficulties with market-based solutions, but he ignores some fundamental problems.
This is a collection of essays on topics that have caught Baker’s eye. There are reports of his (in)famous efforts to preserve library newspaper collections, as well as thoughts on pacifism and video games, and a fascinating story of his brief immersion in the world of Wikipedia editing. As always, he comes across as intelligent and thoughtful, perhaps excessively so. But he has a nice turn of phrase and a strong social conscience.
Human well-being consists of more than just happiness. In this book, Martin Seligman presents one way of breaking down well-being into its components, so we can try to improve all of them and enable ourselves to flourish. PERMA is the acronym for the five components he identifies: