A meditation on belonging, place, family and more. Kirsty Gunn did what Katherine Mansfield never did: she returned from the UK to live for a time in her home town of Wellington, New Zealand. She stayed in a cottage in Thorndon, the suburb where Mansfield grew up, on a scholarship to work on her “Katherine Mansfield project”. This book is the result.
The style of Thorndon feels more like Mansfield than Gunn, in my limited experience of both writers. It feels as if Gunn, a Mansfield scholar, was deeply affected by being steeped in Mansfield’s formative environment. Even more so given that it was also Gunn’s.
Life is hell, but at least there are prizes.
This is a wonderful compilation of short stories spanning Frame’s career. There is a lot of variety here: the common thread is that they are mostly set in New Zealand in the second half of last century. There are surreal magical realist pieces, impressionistic slice-of-life pieces, and coming-of-age stories. My favourites are the ones written from a child’s point of view: we all used to be children, but she actually remembers what it was like and expresses it in a way that makes me remember too.
An old man kidnaps his housekeeper’s granddaughter and takes her for a walk in the hills. He needs to write her into a piece of music he is composing. This is the start of this novel, and as it continues we learn more about the history of his family, which has lived for many generations in a remote house in the Scottish highlands. The house and family have become famous in the world of classical bagpipe music, the “big music” of the title.
I have never seen a book put together like this one before. It’s presented as a documentary, with the story built up from fragments of letters, recordings and papers found during the author’s research into the family and house. Supporting the story are many many footnotes, including frequent cross-references to other parts of the story and to the numerous appendices including plans of the house, maps of the area, family history, proceedings of musical societies, academic papers and more. At first I found the footnotes intrusive and fussy, but eventually I realised that this was all an essential part of the book.
What would life be like if we communicated with music instead of words? That’s the situation in the dystopian future of The Chimes. People have lost most of their ability to remember in words, so they must rely on objects to prompt their memories, and an intricate musical language to communicate. Simon, a young man, fetches up in London with only a vague idea why he came and what he’s supposed to do there. Things start happening to him, and before long he starts making things happen himself. Eventually he becomes part of a revolutionary struggle.
I loved the first half of the book, as we are shown (not told) the mechanics of this strange new world. The language the characters use ingeniously blends musical terms with normal English. I love the term for musical heresy: “blasphony”. The second half is more plot-driven, so everything gets a bit more concrete. I found out later that his book is considered to be a YA (young adult) novel. I think this just means that there’s only moderate violence, sex and swearing, and a teenage protagonist. It also means that things are tied up nicely at the end. Luckily it’s not too neat for an old adult like me.
This novel is Dorothy Forrest’s life story, and her complicated family life too. After reading it I felt that I knew her quite well…
Two very interesting characters inhabit this story: Roza, the Prime Minister’s wife, a creative maverick who still manages to fit in with his circle; and her precocious young son Johnny, who is clever and manipulative and a bit of a nightmare. Throughout the novel, Roza tells Johnny a story featuring a large cast of characters including a nasty dwarf called Soon, and surreal happenings, all based on the other people in the novel. It’s like a terrifyingly twisted Enid Blyton romp, and it’s fun drawing parallels between Roza’s story and the novel.
The rest of Soon is nicely written and compelling, but the plot and the other characters are a bit more formulaic than Roza and Johnny. It’s a story of powerful people behaving badly. The right-wing Prime Minister himself is popular, but is also a cynical, amoral figure; a parallel here to the current New Zealand political scene, and also to another novel within this novel.
Anne Kennedy’s book starts out as a fussy woman’s internal monologue, before expanding to take in a pivotal series of events in her otherwise quiet life. It also will make me think twice before taking clothing in to be repaired.
The extended power outage in Auckland in 1999 apparently made minor headlines throughout the world. (I wasn’t living there at the time.) This is a story of the little madnesses that went on during that time in the life of Megan Sligo, a part-time clothing repairer. As people bring their clothes to her to be repaired, they tell her about the shameful and wonderful secrets behind the damaged items. She maintains her professionalism until one woman brings her an Irish dancing dress with a torn sleeve. Somehow this draws her into its own story.
The narrator is quite delightful. She’s likeable despite being slightly annoying; her mix of intelligence, prissiness and (sometimes) foolishness makes her seem real. I liked the setting of the story too, just because it’s set in parts of my hometown that I know really well. It makes me appreciate the place I come from, much like the Lord of the Rings films — though that’s the only similarity. And the way things work out seems right and proper, when Kennedy could have gone for the fairytale instead.
I like this book. It has a story to make you happy and sad, pictures to make you wonder, and themes to make you think.
Sarah Laing is a cartoonist as well as a writer — I knew of her work from magazines and from her blog Let Me Be Frank. I read a review of The Fall of Light somewhere and thought it sounded interesting. Sometime later I realised that the cartoonist/blogger was also the novelist, so I went out and bought the book.
The story details the fall and rise of Rudy Chapelle, an Auckland architect. He struggles with his job, his colleagues, his ex-wife, his children, his friends, his neighbours, and his parents. In short, he struggles. He is actually pretty annoying in many ways, quite precious and a bit self-obsessed. I could appreciate why his ex-wife was his ex-wife. But he’s not a bad guy really, and it’s good to see his slowly overcome himself despite himself. Many of the other characters in the book are very engaging and likeable though. And so is the setting — Auckland — but maybe just because I live there too.