I have never seen an Ingmar Bergman film. They have always seemed to me to be the epitome of impenetrable, confusing European art-house cinema. This book doesn’t change that impression, but it does make me want to watch some of these films.Continue reading
Viktor Frankl was a doctor who spend several years during the second world war in concentration camps and forced labour camps, including Auschwitz. He writes about his experiences in the camps and about how camp life affected people — both the prisoners and the guards.Continue reading
You have a handful of coins spread out on the table in front of you. You put on a blindfold, and someone flips over some of the coins, then tells you how many are showing heads. You can now move the coins around and turn them over.Continue reading
This book introduces ten types of human, such as the Aggressor, the Tribalist, the Nurturer, the Rescuer. They’re really types of personality, not human, since the idea is that human beings have all these traits to varying degrees. Each is illustrated by stories of people who have survived various extreme situations. Dias’s idea is that these people’s stories will illustrate the different types. I don’t think they all do, but they are mostly interesting nonetheless.Continue reading
“Provocative and freewheeling” reads the blurb on this book. That’s a fair description, though “freewheeling” could just as well be “unfocused” or “rambling”. Gray claims that modern culture, especially western culture, pretends to be rationalistic and scientific but is actually just as religious as older faith-based cultures. In fact he treads the well-worn path of saying that the older cultures are more “authentic” and that what we have now is just a confused version of what came before:Continue reading
Google remembers every search anyone does. If you combine all that data in the right ways, you can come up with a lot of results, theories and conclusions. That’s what Seth Stephens-Davidowitz does in this book. The title comes from one of his conclusions: people say they do things (in surveys and so on) but the aggregated search data from Google shows that a large number of them are lying. It’s a clever idea and he draws out a lot of interesting material (enough to fill a book!). If you’ve ever typed “why does my cat” into Google just to see what suggestions pop up, then this book is for you.
Each day you must take an A pill and a B pill. After you tap an A pill into your palm you inadvertently tap two B pills into your hand. The A and B pills are indistinguishable. The pills are expensive and you must not overdose. Can you still use the pills you have mixed up?
It was probably the title that enticed me to buy this collection of understated short stories. The title story is about a woman trying to write a thesis on the use of mathematical concepts in the writings of Jane Austen. It’s clever, amusing and likeable. I enjoyed reading the stories, which made a relaxing contrast to the harrowing writing of Lucia Berlin or Miranda July.Continue reading
This book is fun.
This book is short.
This whole book is a staccato list of sentences.
It’s about a woman called Minna.
Minna needs rehearsal space.
But she is stymied by her boyfriend.
She is stymied by her sister.
She is stymied by her friends.
It’s harder than you think, getting a rehearsal space.
You and two other logicians (Alice and Bob) are in a room. A controller comes in and paints a spot onto each of your foreheads. You can each see the others’ spots (Alice and Bob both have black spots) but not your own. The controller tells you all that all the spots are black or white, and at least one of you has a black spot. Then the controller asks if anyone knows the colour of their spot. Everyone says no. The controller asks the same question a second time: again, everyone says no. The controller then asks the same question a third time. What do you say now?Continue reading
I’ve heard of comic operas, but here is a comic based on an opera. My children have some books illustrated by P. Craig Russell, so I was excited to find that he has produced a comic book adaptation of Richard Wagner’s Ring operas. It’s pretty impressive: the opera cycle runs to about 15 hours long, and this comic book adaptation (or graphic novel, if you like) is over 400 full-colour pages.Continue reading
How should we live? And why does it matter?
This book is just amazing. In its two massive volumes, Derek Parfit lays out a very detailed and very carefully argued ethical framework. It’s like a prodigiously sustained deep dive into his classic book Reasons and Persons with lots of examples and explanations. It’s also a conversation: one chapter consists of responses to parts of the book from other philosophers, which Parfit then responds to in turn.
From free will to the trolley problem, there is a lot to argue with and a lot to think about. Immersing yourself in it will give you a greater appreciation of what really matters — and just as importantly, why.
Like a lot of great SF, this starts with just one single premise. What if we suddenly discovered an unlimited number of pristine Earths, and we could all travel between them at the flick of a switch?
One day, a blueprint for a very simple electrical device appears on the Internet. Thousands of people build one of these little boxes, flick the switch — and disappear. They’ve “stepped” to an alternative Earth, untouched by humans. From there they can go back or continue on to a multitude of more-or-less parallel Earths. The story follows a number of characters through the massive social changes that follow on from this: suddenly there are endless frontiers, on pristine worlds where environmental degradation and climate change are irrelevant. There is also a lot of sci-fi adventure as people explore millions of the alternative Earths, some of which are very different — essentially alien worlds. And they don’t just stop there — the third book in the series is called The Long Mars.
The characters are interesting and fun to read about. There’s the normal guy with super(-stepping) powers; the cantankerous and brilliant inventor; the tough frontierswoman; and of course the Tibetan auto mechanic reincarnated as an omnipotent distributed AI system.
Meg is the Italian Björk. And if you think that’s glib, try this: Meg would be the result if Björk joined Fever Ray and they went clubbing in Naples. Glib, yes, but maybe on the right track. Of course there is a lot more to her music than those easy comparisons, but they are a good place to start.
Meg’s singing reminds me a lot of Björk, but also of Karin Dreijer (from Fever Ray and The Knife). A lot of her songs seem to come from the same place as Björk’s, from the (mostly) electronic production that somehow still sounds organic, to the huge expressiveness of her vocals. But there is sometimes a slightly unhinged edge to the voice that makes me think of Dreijer. The only thing I can’t comment on is her lyrics, since I don’t understand Italian. She does sound a bit more subdued in her few English-language songs, so I’m sure Italian speakers would get even more out of Meg’s music than I do.
I loved this book of short stories even though most of them don’t end especially happily. The stories are written in a variety of voices, but almost all concern young women navigating problematic relationships. (Some of the women are older; some stories focus on men; but relationships are a constant.) Reading each story feels like inhabiting the character. It’s fun to be in someone else’s skin for a few minutes.
Standard education systems are broken: Turning Learning Right Side Up points towards a way of fixing them. It argues that the current system of education was designed for purposes that no longer make sense. (Ken Robinson’s TED talk Do schools kill creativity? is the classic formulation of this problem.) Then this book talks about how education could be designed to help children become fully-rounded adults.
The emphasis is on learning rather than teaching, with children taking the initiative in their activities and even in the organisation of the school. This is already the norm at a few places, such as the famous Sudbury Valley School in the USA. It works well partly because a family that sends their child to such a school has probably already prepared them for this more independent style of education. I think it could work more generally, but it must start very early — children will need to grow up understanding that this is how schools work. Places like Playcentre in NZ get them started on the right track, with their philosophy of child-initiated play. We just need to continue this idea as they move through the education system.
You see a runaway railway trolley about to careen through a tunnel: five people in the tunnel will not be able to escape in time and will surely be killed. But then you see a switch that would divert the trolley into a different tunnel. Unfortunately there is somebody in there too, who will be killed if you divert the trolley. What do you do? Do you flip the switch and kill one person to save five?Continue reading
This classic book of essays is divided into three parts. The first part covers California in the 1960s. This makes the sixties seem just as crazy as their reputation — Didion lived through some turbulent times back then so I’m glad she wrote it all down for us to read about. The third part of the book is more varied as she writes about various other places from different viewpoints.
The middle of the book is my favourite part. These more personal essays are just wonderful. She can capture feelings with uncanny accuracy and she offers a lot of wisdom and understanding. I will be rereading them often.
This is a nice pocket-sized guide to consciousness. Actually it’s a guide to the problem of consciousness, since there is no consensus on what consciousness is or even exactly what the word means. Blackmore is even-handed regarding the various competing viewpoints, though it may all be slightly coloured by her own views, which are heavily influenced by Buddhism. And if you think that’s an incongruous stance for a hardcore psychologist/philosopher to take, then you really should read this book.
Demian is very mysterious and alluring. This book is about him and his influence on the narrator — they first meet when they are both schoolboys. Demian then turns up repeatedly as the years go by, gradually taking the narrator into a circle of freethinking misfits. It’s less fanciful than the other Hesse novels I have read, but still packs a bit of a punch.
Snap judgements are surprisingly accurate. Even the ones we make without knowing how. Even the ones we make when we don’t even know we are doing it: “I just had a bad feeling about him, I can’t explain it”. This book gives evidence and explanations for this. It’s interesting in itself, but the trouble is it has been a very influential book — since it was published, its examples have been cited and reused so many times in so many places that what must once have been groundbreaking now seems overly familiar. I had similar thoughts the last time I saw a performance of Hamlet: the dialogue just seemed to be one cliche after another. Of course, they weren’t cliches when Shakespeare wrote the play!
Even so, the sections towards the end about microexpressions were very interesting and new, at least to me. They give some insight into where the “bad feelings” about people might come from, and maybe some pointers into how you could train yourself to read people and situations better. So even now this is still a worthwhile read from a very influential writer.
This story is more fun than you would think, given that it is about a teenage boy coming to terms with his father’s death. Astronomy and mythology are two of Tuttle’s boyish hobbies; they run like threads through the stories he tells his younger brother and the conversations he has with his friend, and also play a big part in the novel’s resolution. His father, a famous mountaineer, disappeared in controversial circumstances which made his loss even harder for his family to deal with. The repercussions continue even a year later, when the novel is set.
Apart from dealing with his father’s death, he also has to deal with his mother and brother, who are struggling in their own way to manage. And of course he also has to negotiate the usual teenage issues; mostly school, and also the juvenile delinquent petrolhead who lives next door (along with his cute half-sister — it’s not all bad).
It’s good to finally read this famous book, starring the famous Captain Nemo and his famous ship the Nautilus, and discover that its fame is well-deserved: it’s a page-turning adventure story with drama, intrigue and nifty gadgets.
The narrator, a maritime expert, joins an expedition and eventually ends up aboard the Nautilus with couple of his companions. In a series of episodes we find out about the ship, a little about the captain, and a lot about various going-on under the sea. Verne puts a lot of really interesting and generally plausible ideas into the story, which is impressive for a speculative fiction written nearly 150 years ago. I have always wondered about the title though: I always thought that it referred to a depth of 20,000 leagues, but then I discovered that 20,000 leagues is about 100,000km, ten times deeper than any ocean. I now realise that it’s simply the distance travelled while under the sea — they circumnavigate the globe underwater, following a very meandering path.
The story was originally published in serial form, and it shows in the episodic structure. This makes it good to read bit by bit rather than all at once — very convenient for my morning and evening commute. This was recommended to me by Jay — I picked it because it stood out from most of his recommendations, which tend to be modern YA fiction. He’s also read other Verne stories: apparently Journey to the Centre of the Earth is good too.
Jim Flynn’s first Torchlight List book was a really interesting guide to one man’s essential reading list. This follow-up takes a different tack but is just as engrossing. Here Flynn takes a more global view, focusing on different parts of the world and calling out books and writers that he thinks are worth reading.
Flynn talks about the books and writers in the context of the countries and regions they come from. He gives excellent overviews of the various regions including their history and politics, which helps to explain the genesis of the different writers. I learned a lot just from these sections — they could almost be a book on their own.
This is fun to read and it may change your life. The subtitle describes it best: chaos (particularly perhaps the chaos of the modern world) is what Peterson dreads, and he offers prescriptions, strategies and even commandments for how to preserve an ordered and civilised life from the relentlessly pounding waves of entropy. And all presented using language that virtually demands to be read out loud.
Each of the 12 homely “rules” is really just the starting point for a wide discussion of how life should best be lived. Peterson is a psychologist and a Christian, and those are the lenses through which he views the world. There is a lot about biblical history and teachings — a lot of it is presented as metaphor so it is still somewhat relevant even to non-Christian and even non-religious people. But still, there is a lot more bible-bashing than I was expecting, even from such a famously conservative figure. Each of the 12 chapters ends with a restatement of the rule as its last sentence. For some reason I find this irritating and twee. And I normally like tweeness.
Squalor and alcoholism feature prominently in these short stories based on Berlin’s life. Many of the stories concern marginalised people: they suffer so much injustice but still manage to keep going. Even so, I wouldn’t describe the stories as uplifting.
I picked up this book because I had read about it in the London Review of Books, and also because it had a foreword by Lydia Davis.
There are common threads and characters through some of the stories — one of my favourites is an older woman who goes on holiday and learns to scuba dive. She appears in a couple of the less-squalid stories, where she is initially a bit uptight but learns to loosen up quite a lot. Those stories are easy to read but still have a certain power and directness.
This is deservedly one of the classic New Zealand novels. When I returned it to the library, the librarian eagerly asked me how it was. I said it was really good — a novel version of Frame’s short stories. The shifting viewpoints give a broad understanding of the characters and events, and the impressionistic first-person narrative really made me feel what it must be like for the main character, living a life very different to mine. Bad things happen to her, but there are also many marvellous moments of beauty:
Jim Flynn put this book in his top 5 novels list, so I grabbed it when I found a copy recently. He said it was the greatest novel portraying contemporary American college life. “Contemporary” in this case means circa 1950, and it is actually set in a military college, so it’s presumably a bit different from a civilian college like Harvard or whatever. It does seem a bit bizarre, with the ubiquitous corporal punishment and merciless bullying of first-years by older students who are still just out of their teens. I don’t know whether this weirdness is due to being 60 years ago, being American, being a military school, or being a work of fiction. I suppose it’s all four, but I do get the impression that the general features of the books’s college life are based on fact. Holy cow, what a hell-hole it must have been.
So the characters end up in various unedifying situations, usually of their own making, and we see them as they deal with things, usually badly. It becomes apparent that the novel mostly concerns the misfits and bad hats of the academy, which explains a lot about the dramas that befall them. The book ends with a couple of eloquent and very different speeches, and closes with just deserts all round.