Review articles

Learn from my mistakes.

Parade – Rachel Cusk

Parade is quite austere in style, but still packs an emotional and intellectual punch.

The book is in four sections; they are connected, with a few characters’ stories intertwined throughout. Among the cast are three artists, all just called “G”. This is faintly confusing because the narrative viewpoint sometimes changes abruptly – when “G” is mentioned it’s not always immediately obvious which “G” it is. Many of the other characters aren’t named at all. This carries over to the setting – we find out almost nothing about where these people live, even what part of the world, and there’s very little detail. There is also not really a plot as such; more like lots of vignettes with associated discussion. The focus is on people’s internal states rather than external happenings.

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But What If We’re Wrong? – Chuck Klosterman

Which artist is the essence of rock music? Who is the greatest writer of the last hundred years? Are we living in a simulation?

These are all interesting questions. This book is about these questions and many more, but mainly about the meta-question:

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The Ministry of Time – Kaliane Bradley

Government-controlled time travel: what could possibly go wrong?

The setting is pretty much the modern day, with the addition of time travel: occasional government-controlled time travel, enabling the titular Ministry of Time to research the physiological effects of time travel by bringing people from the past into the present day. To minimise ethical problems and temporal paradoxes, they only bring people who were about to die in their own time.

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Gould’s Book of Fish – Richard Flanagan

I do like a bit of fanciful historical fiction. The narrator finds the titular book, which is unique and strange and possibly magical, and tries to find out about its provenance. The tale goes back to a convict transported to Australia and how he comes to have a job painting pictures of fish. His life is, unsurprisingly, horrific. His situation is Kafkaesque, but he is much more relaxed and accepting than Josef K: his lighthearted and matter-of-fact tone makes the nastiness bearable. The events stray into magical realism in parts, and the shifting points of view mix things up – is the narrator the discoverer of the book or is it Gould the convict? Or is Gould really the convict? After the journey he goes through it’s hard to say.

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The Diary of a Young Girl – Anne Frank

Most people’s diaries are probably pretty boring to everyone else. (I’m pretty sure mine would be.) But not this one! During an incredibly difficult and stressful two years, Anne Frank chronicles her life cooped up with a bunch of other fugitives, hiding from the Nazis above an Amsterdam office. The diary entries are open and intimate, addressed to a fictitious friend “Kitty”. She writes mostly about herself and her interactions with her family and the others she spends time with. Her views on her family, especially her parents, seem fairly typical for a teenager, but she deals with the frustrations amazingly well given the pressure-cooker situation they are all in.

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Birnam Wood – Eleanor Catton

This is what happens when a guerrilla gardening collective called Birnam Wood meets an amoral billionaire who is up to no good (typical amoral billionaire stuff). Birnam Wood is set in New Zealand, partly in Auckland, and it’s always exciting to read a book set in a place I know. Unfortunately the characters are all a bit annoying in one way or another; still, the plot plots along at a good pace. But then it all ends with an abrupt cataclysm.

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Audition – Katie Kitamura

This starts as a tense and austere description of an ambiguous relationship, as a young man comes into the life of a successful older actress. He’s a bit odd – his story doesn’t quite seem to add up. Just as I am wondering how things are going to progress, suddenly everything changes and the whole story is recast and effectively begins again. Like a rude awakening! From that point the story continues its highly strung narrative. The characters are in a pressure cooker and the pressure is unrelenting and things begin to unravel to some extent. The prose is claustrophobic and unrelenting and fascinating and the whole book is like a tiny self-contained world. When I finished it was like emerging into the daylight from a darkened cinema.

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Precious Rubbish — Kayla E

I believe this is autobiographical, even though it would be better if it weren’t. As she was growing up, Kayla E’s family were actively neglectful, when not subjecting her to emotional and sexual abuse. The whole thing is quite harrowing, yet is rendered in a cute and fun surreal retro comix style, complete with puzzles and quizzes. The cover gives a good flavour of the contents: I don’t think I have ever read such a nicely presented nightmare.

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The Trial

Orson Welles’ adaptation of Franz Kafka’s The Trial was screened at the Capitol Cinema Film Club near my house. What an amazingly stylish film – it really played up the “nightmare” aesthetic. Everything looked a bit surreal, including Anthony Perkins who played the protagonist Josef K. The sets were incredible — where did Welles find them?

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The Book of Anna – Carmen Boullosa

In Leo Tolstoy’s Anna Karenina, it is mentioned in passing that Anna is writing a book. Carmen Boullosa has taken this idea and written what amounts to a fan fiction. The main characters are new, but they do interact with characters from the original novel. There are some mind-bending metafictional effects too – the characters from Anna Karenina know they are fictional, and the other characters know it too, and it is a point of discussion amongst them. Tolstoy himself appears as well, unsurprisingly having a rough time being in the page instead of writing it.

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