
This novel begins as the diary of a gentleman’s adventure on a 19th-century pacific island. It’s all quite eventful until it stops, right in the middle of
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This novel begins as the diary of a gentleman’s adventure on a 19th-century pacific island. It’s all quite eventful until it stops, right in the middle of
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This wise and wistful book narrates many episodes in the life of an old woman living with her young granddaughter Sophia on a remote Finnish island. The relationship between the two is sweet, yet unsentimental. Sophia’s father lives with them too, but he is often away and the two are left to themselves in the isolated and harsh environment.
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Malianov, an astrophysicist, keeps getting distracted as he is working towards a breakthrough in his current project. He receives mysterious visitors, and his scientist friends are behaving very strangely. Slowly, disturbing signs emerge that there is some sort of conspiracy afoot. Malianov tries to figure out what’s really going on while all around him is confusion and paranoia.
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I read this book about 30 years ago and loved it. It may be a pretty easy read, but Suzanne the protagonist is very witty and likeable and the dialogue is packed – packed! – with one-liners and profundities in equal measure.
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This is an entertaining chronicle of a couple’s relationship, starting from the very beginning. There is a lot (a lot) of analysis behind the story, which might sound heavy going but is actually what makes it all so engaging. I am a big fan of Alain de Botton’s “voice” — you can tell that just by looking at my bookshelf.
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This is a cornucopia of several different books, fiction, modern politics and ancient history, all thrown together into a cohesive and visually pleasing package. I love it.
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This wonderful novel opens on New Year’s Day, and a girl has gone missing: the whole village has turned out to search for her. It seems that we are in for a missing person mystery, or possibly a whodunit. As days go by we meet some of the inhabitants of the village and learn about their own stories. There is also a lot about the mundane happenings of village life, and a lot about the natural world of plants and animals too as the days turn to weeks and months.
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One of the blurbs describe this as a “funny dystopia” and I can see why, though I feel that would be a misleading way to describe the book. The setup is not dystopian – it seems to be the present day, with a large group of families taking an extended holiday in a country house. Maybe the children would consider it a dystopia though – the adults seem to be various combinations of stupid, selfish and feckless. They seem a bit cartoonish and unrealistic to me, but maybe I’m just lucky to have mostly avoided such people in my life.
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The War is Napoleon’s invasion of Russia in 1812, which disrupts the Peace of Russian high society in Moscow, Petersburg and various country estates. We follow several aristocratic families as the war begins, gets worse, turns around and finally ends. Lots of characters, but mostly in the upper classes so everything is viewed through that lens.
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This speculative fiction is set in the present day just as we know it now. One day, an inexplicable and apparently impossible event happens; this novel is about how this affects the people involved, but also governments, media and everyone else. I thought it was all handled plausibly, which is essential in this kind of story. I could nitpick a few plot points, but nothing too bad. Besides, this is an Oulipan book, written under many (hidden) constraints. They’re much more subtle than those in (say) Eunoia, and maybe some didn’t make it through the translation process. It is fun to re-read the book and see if you can spot them though.
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