I have never seen an Ingmar Bergman film. They have always seemed to me to be the epitome of impenetrable, confusing European art-house cinema. This book doesn’t change that impression, but it does make me want to watch some of these films.
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(500) Days of Summer (don’t forget the parentheses!) is a conventional boy-meets-girl story dressed up with a bundle of enjoyable and inventive extras. It’s a lot of fun.
The film-makers dug deep into their box of tricks for this film. The timeline zooms back and forth across the 500 days. A voiceover occasionally offers explanations. There’s a surreal moment when the thunderstruck protagonist turns into a drawing and gets erased, and an even more surreal song-and-dance number during an earlier happy moment.
Even though there are quite a few cliches — such as the kindly boss, the loveable loser friends and the wise little sister — there is enough humour in the thing to keep you smiling.
That guy from The Office (who despite many other noteworthy roles including this one is destined always to be known only as “That guy from The Office“) really is pretty funny. He’s much more likeable in this film than the painful idiots he plays in The Office and Extras.
(OK, his real name is Ricky Gervais. But I had to look it up.)
I had a great time at this big, fun and loud film about a big, fun and loud elephant. The story of Horton and the Whos is one of my 2-year-old son‘s favourite stories, so this was a good choice as his first ever cinema experience. He enjoyed it, and so did we. In the manner of kids’ films these days, there were lots of jokes for the adults. During the anime sequence I was crying tears of laughter. That doesn’t happen to me that often — maybe because I don’t go to very many films.
Anyway, this is definitely worth seeing. And it confirmed to me that any film is improved by watching it with a 2-year-old.
This French comedy, about a man who doesn’t want to get married (don’t read any further if you don’t want to find out what happens) but does anyway, was really quite good. It had a happy ending; it was hilarious, warm, and… French.
And we saw it at the Lido cinema in Epsom — oh how I love the Lido. Excellent coffee and an afghan before the film, comfy seats during, and friendly staff.
Now this was an excellent adaptation of an unusual novel. Very cinematic and dark and not at all blockbustery. It was about 6 years ago that I read Patrick Suskind’s novel, but I still remember it quite well and the film captured its tone nicely.
I saw the film with Joanne at the Sky City Gold Class cinema, which was quite appropriate: as we watched the film we were able to relax in our armchairs and enjoy the aromas of our chicken nibbles and glasses of wine.
“The Matsugane Potshot Affair” is your classic Festival film: amusing, but also with many uneasy moments. Weird. A bit pervy. Very non-mainstream; even more so than its very different predecessor “Linda Linda Linda” (directed by the same gentleman).
This film is a funny mockumentary about competing Australian children’s dance schools. “Mr Jonathan” the main character, was hilarious in an Alan Partridge sort of way. The whole cast including the kids were good and the tone was mostly pretty convincing. And there was even some pretty good dancing.
This was both inspirational and nostalgic, inasmuch as one can be nostalgic for things that never happened. Such clever and learned teachers and classmates would have made school much more stimulating. I’d like to read the script of the movie (or the play it’s based on) sometime.
Linda Linda Linda is a great movie about the Redemptive Power of Rock ‘n’ Roll. This may sound like a contradiction — surely most films about RPRR are pap. But Linda Linda Linda is a wonderful combination of arthouse weirdness, raw energy, social commentary and Japanese schoolgirls. With ingredients like that, it’s no wonder the result is so much fun.