Journal articles

What I did, where I went, and what I thought of it.

Headless Chickens — live in Auckland

Headless Chickens played their first gig in almost a decade last Friday. The setlist was packed with great songs, the crowd was into it, the sound was excellent. They rocked.

Headless Chickens have been one of my favourite bands since the early ’90s, even though they pretty much called it a day in about 2000. I remember listening to their first recordings on BFM in New Zealand 20 years ago, and then the splash they made in Australia a few years later with their Body Blow album. I still listen to their music now, so imagine my surprise when the Fiona McDonald we met when we moved back to Auckland turned out to be Fiona Headless Chicken, whose sweet yet gutsy voice helped make the Chooks such a unique band. And imagine my even more surprised surprise when I found out that the band were going to re-form for a tour of Australia and New Zealand.

So along we went. The venue was the Powerstation in Mount Eden. The last act I saw there was Beats International, one of Norman Cook’s pre-Fatboy Slim guises, about 20 years ago. I was also there the night they ignored fire regulations and crammed 1400 people into the 600-capacity venue for a Deborah Harry show… now that was a hot night. It all seems so long ago now. Because it was. But this is 2008 and so we went in to see the support band Brand New Math giving their all to a few interested spectators. They made a decent noise, but I prefer their recorded output. Anyway, people came in throughout the evening so by the time the Chickens strolled on stage the Powerstation was full. And they started.

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Earth From Space — The Bads

Earth From Space, by The BadsMellow mellifluous melodies. The Bads are a girl/boy duo from New Zealand; you could call them a guitar-based pop/rock group, or even a “popular beat combo” (as John Peel used to say). But that would just be lazy pigeonholing, so if you pretend you didn’t read that then I will pretend I didn’t write it. Anyway, it seems that of the two Bads, Diane does most of the singing, with Brett singing backup and breaking into the lead occasionally. I can’t find any information on what they each play, so I suppose they are both prodigious multi-instrumentalist polymaths.

Song titles such as Feels Like Rain, Trouble Rides A Fast Horse and Bush Fire Sunset make this sound like good ol’ country music. The first of these songs does sound pretty much like that, with its lazy drawl and twangin’ guitar, but the rest of the album shows some nice variation. The opening song Off The Rails has just the most irresistible chorus — I find it tremendously uplifting, in a minor-key sort of way. The driving Carry The Weight is another of my favourites, with powerful guitar and nice male/female harmonies.

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Horton Hears a Who!

Horton the Elephant

I had a great time at this big, fun and loud film about a big, fun and loud elephant. The story of Horton and the Whos is one of my 2-year-old son‘s favourite stories, so this was a good choice as his first ever cinema experience. He enjoyed it, and so did we. In the manner of kids’ films these days, there were lots of jokes for the adults. During the anime sequence I was crying tears of laughter. That doesn’t happen to me that often — maybe because I don’t go to very many films.

Anyway, this is definitely worth seeing. And it confirmed to me that any film is improved by watching it with a 2-year-old.

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Ben Kemp & Uminari / Anna Coddington

Ben Kemp looks like a rugby player, but he has the most delicate falsetto voice and a rather poetic songwriting touch. His band, Uminari, are tight and very cool in a quirky Japanese way, especially the drummer who is so cool he doesn’t need drumsticks. We saw these guys at the Classic Comedy Bar and they put on a great show. But they were supported by local singer-songwriter Anna Coddington, and I liked her set even more.

Ben Kemp is a very nice Kiwi musician who has lived in Japan for some time now. He has gotten together with a group of Japanese musicians to form his band. The music works really well live — they go for extended soundscapes built around each song, with Kemp’s voice sometimes acting as another instrument. The mood ranges from gentle and contemplative to a bit more noisy and experimental on some tracks, where they might try to evoke the sound of the sea or a storm. It’s hypnotic stuff.

Between songs he tells how the songs came to be, and also shares some stories about himself. The show was nice and intimate — at one point he brought out a couple of bottles of Japanese liquor (sake and umeshu) and passed them around the audience. You can’t much more chilled-out than that.

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Perfume

Now this was an excellent adaptation of an unusual novel. Very cinematic and dark and not at all blockbustery. It was about 6 years ago that I read Patrick Suskind’s novel, but I still remember it quite well and the film captured its tone nicely.

I saw the film with Joanne at the Sky City Gold Class cinema, which was quite appropriate: as we watched the film we were able to relax in our armchairs and enjoy the aromas of our chicken nibbles and glasses of wine.

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The Matsugane Potshot Affair

“The Matsugane Potshot Affair” is your classic Festival film: amusing, but also with many uneasy moments. Weird. A bit pervy. Very non-mainstream; even more so than its very different predecessor “Linda Linda Linda” (directed by the same gentleman).

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Razzle Dazzle

This film is a funny mockumentary about competing Australian children’s dance schools. “Mr Jonathan” the main character, was hilarious in an Alan Partridge sort of way. The whole cast including the kids were good and the tone was mostly pretty convincing. And there was even some pretty good dancing.

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The History Boys

This was both inspirational and nostalgic, inasmuch as one can be nostalgic for things that never happened. Such clever and learned teachers and classmates would have made school much more stimulating. I’d like to read the script of the movie (or the play it’s based on) sometime.

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Linda Linda Linda

Linda Linda Linda

Linda Linda Linda is a great movie about the Redemptive Power of Rock ‘n’ Roll. This may sound like a contradiction — surely most films about RPRR are pap. But Linda Linda Linda is a wonderful combination of arthouse weirdness, raw energy, social commentary and Japanese schoolgirls. With ingredients like that, it’s no wonder the result is so much fun.

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Out of the Moon — Goldenhorse

Out of the Moon by GoldenhorseGoldenhorse are the best pop band in the universe right now, and their two albums are a microcosm of all that’s good in music. Their jaunty melodies with dark undertones and the sometimes-sweet, sometimes twisted lyrics form an irresistible combination. Listen to Goldenhorse now and make yourself into a better person. Continue reading

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